Great Examples

When I was in college I spent two semesters in a creating writing seminar. We had been selected for this course based on our writing samples. I must have shown a little promise, at least to the professor, though you wouldn’t have thought so had you listened in on one of our sessions.

To be fair, nearly everyone in that class was criticized, and savagely—that is the way of writing seminars. You compose a poem or story, read it aloud to a pack of students and one by one they savage it. This toughening process is supposed to be good for you, in the long run. Only a couple students emerge unscathed. I think of these seminars as being identical in universities around the world. There is one gifted poet sure to achieve stardom immediately after graduation; there is another student who has lots of rough talent but seems to care less (this is the one the professor has a crush on); there is a person who writes painstakingly adequate prose; there is a girl who cries.

Did I learn from this class? A couple things. I clearly remember two comments made by the teacher after I read a poem about the sea (comments that elicited much laughter, by the way). In this poem I compared an eel to a phallus, using three examples of the likeness, and the teacher remarked, wryly, that I had “done that poor eel to death.” Which was true. In the same awful poem, I wrote that a sea urchin was “swaying, and praying” for a fish to swim past and the professor put his arms on the table and cradled his head in them and said, “Never ever ever make a sea urchin pray.” Which was also true. I deserved what I got that day.

Aside from those lessons, I’m not sure I took anything away from that class but scars. I actually wound up majoring in English Literature because I was afraid of the math requisites for my preferred interest: marine biology. In retrospect, I am certain that this writing seminar was more brutal than any math course. Creative writing classes taken in college are especially harrowing as kindness is not a foremost concern in our callow youth.

The question has been bandied about: Do creative writing classes really teach people how to write? To a degree, yes. Seeing where we have failed can be very helpful. What can’t be taught is the knowing, the writer’s ear, the certainty one feels when a phrase is exactly right.

I am a better writer now than I was in college, an evolution I attribute mainly to continued effort and constant reading. I read authors whose skills take my breath away. When we read, we learn. All those great examples sink in over time. Which is how life works on every level.

If You Haven’t Read These

I love the short story form, the distillation it demands. Poised between poems and novels, short fiction offers the best of both: precision on the one side, intrigue on the other. While the quality of writing in literary short fiction often surpasses the prose found in novels, most folks prefer the latter. “Why?” I’ve asked them, and invariably they tell me that short stories leave them feeling short-changed. Unsatisfied.

Here are some of my favorite collections, stories that will stay with you long after reading. Satisfaction guaranteed.

REASONS TO LIVE by Amy Hempel  −  Starling and poignant

DANCING GIRLS by Margaret Atwood  −  An adroit sampling by a long-admired author

BABE IN PARADISE by Marisa Silver  −  Great characters, fresh insights

DO NOT DENY ME by Jean Thompson  −  A stunning collection by an awesomely talented writer

ANOTHER MARVELOUS THING by Laurie Colwin  −  Tales of adultery, perfectly rendered

BIRDS OF AMERICA by Lorrie Moore  −  A delicious blend of wit and wisdom

IN THE DRIVER’S SEAT by Helen Simpson  −  Wicked fun

IT’S BEGINNING TO HURT by James Lasdun  −  Elegant and entertaining

NOTHING RIGHT by Antonya Nelson  −  Simply superb

CLOSE RANGE: WYOMING STORIES by Annie Proulx  −  Innovative and powerful

And speaking of brevity here are two short novels you absolutely must read:

TURTLE DIARY by Russell Hoban  −  An exquisite story of two social misfits with a common goal

A MONTH IN THE COUNTRY by J.L. Carr  −  Gentle, evocative writing

Enjoy!

In Our Own Time

“It’s too early for most things and too late for almost nothing.”

Is that a great quote, or what? I don’t know who first uttered those words, but each time I bring them to mind I am filled with fresh resolve.

We’re all brought up on a time table, expected to accomplish certain things at certain ages: walking at twelve months; talking by the age of two; driver’s license at sixteen; high school diploma at seventeen. The more time that passes before these hurdles are cleared, the higher they seem to become.

Writing, a chosen pursuit, carries no such expectations. Some authors, canny enough to make a living off their words, must mind their contracts and calendars. For the rest of us, writing is a labor of love and we proceed in our own time, rewarded or not.

Unfettered by demand for my words, I still worry now and then that I haven’t written enough of them. I consider the prodigious outputs of Joyce Carol Oates and John Updike, or the early success of Michael Chabon, or the sheer brilliance of Yann Martel, and I feel like a hopeless straggler.

Fortunately this wasteful brooding passes quickly. Life gives me a nudge and I am back where I belong. I remember the story I’ve started and there is nothing to do but pick up my pen and continue working. There are millions of writers in this world and there is room for every one of us. No one can write this story but me.

Relaxing into Writing

I used to log onto various online writing sites with a username I thought wonderfully apt: wordchaser. That term epitomized the writing process for me, a sometimes rewarding and always frustrating hunt for the best words. There were no shortcuts, scant rewards, certainly no room for fun.

Over time, my thoughts on writing began to change. While the process will always be a challenge, I’ve come to realize that it needn’t be an adversarial arrangement. I can actually relax a bit, loosen the reins. The words I want are out there and if I am patient and attentive, I can coax them in, if not now, then soon. I can even rise from my chair and do something else, and while I am sleeping or eating or vacuuming, the words arrive on their own. I go back to my desk and the sentence I had rewritten a hundred times is suddenly, strangely, there.

The well is always filling. I can trust it. I can look up from the page and enjoy another view, and no harm will come to the story. There will be more words and more stories.

Oh, I still hunt now and then, but these days I do more word charming than chasing.