Of Burgers and Barrooms

Main Street Rag has just published Of Burgers and Barrooms, an extraordinary collection of poetry and prose featuring bars and fast food restaurants. My story “The Side Bar” is included in this publication, and I am deeply grateful. Provocative, humorous, edifying, delightful, this anthology has something for everyone. A great gift for writers and readers!

From the website: Main Street Rag Publishing Company has been publishing our print magazine, The Main Street Rag, uninterrupted since 1996. Among its features are poetry, short fiction, photography, essays, interviews, reviews, and commentary. Subscription information is available on the Submissions page and can be placed online at: Subscriptions. Current and back issue information–including who appears in each issue–can now be found at The MSR Online Bookstore on the back and current issues page. Our magazine is financed through subscriptions, direct sales and shelf sales. We receive no money in the form of grants or public funds. Reader support is important and necessary.

CvrBurgers&Barrooms_Ad

Lovers and Loners in Snowflakes!

Many thanks to Darrell Laurant, for featuring Lovers and Loners in the latest edition of Snowflakes in a Blizzard. Please visit this book-saving site and take a look at some fine work you might not otherwise encounter. In the meantime, here are a few words from Darrell:

“Given the current technology, virtually anyone who wants to publish a book can now do so.  And that’s a good thing, because I believe everyone has something of value to say and something to teach the rest of us.

But it’s also bad news for individual writers, because the chance that someone will randomly pick up or click on a particular book has decreased exponentially. I chose the name for this blog because getting noticed for a writer in this market — especially a new, unknown writer — is like a snowflake trying to stand out in a blizzard.”

11017864_682630631848241_5778341281280749472_n

When Living Isn’t Enough

6054490581_b01478b6a3_b

Thomas Mann wrote that a writer is somebody for whom writing is more difficult than it is for other people. Could there be a better definition? While others use words to communicate, writers understand that words hold greater magic, that when pieced together in just the right combination, words give us passage into our deepest selves. We write to discover what we know. We write to set ourselves free.

I often think of words as blackbirds wheeling above a wire. I know I can coax them down; I’ve done it before. I know they will settle into a tidy line, and that this line, while not perfect, will at least be coherent. As I am no Shakespeare, this process will take an absurd amount of time, and some of the birds will have to be shifted around many times. Eventually I’ll recognize that I have exhausted my potential, which is when I stop and click save. One more idea wrested into words, one more swipe at the great mystery. Tom Stoppard wrote: “I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little.”

Others might pity writers, might call it tyranny, this compulsion to hunt down the meaning of our experiences. Why isn’t living enough for us? I don’t know. I need to write about that.

How peaceful it must be to be done with each day when the day is done. All this sifting and sieving, this endless analyzing—I can’t say I’m any happier for the effort I’ve expended (nor a penny richer, but that’s another blog). And many times I wind up with nothing. Words are tools and sometimes they come up short, sometimes they fail me. Or I fail them.

Scant recognition. Slight compensation. Dubious value. Impossible odds.

Life is short. Mine will be over long before I’ve learned how to live it. You’d think I’d just stop this mad chase. Go play. Have fun.

Maybe I will. After.

 

 

Photo credit: derekbruff via Foter.com / CC BY-NC

Lovers And Loners in the Summerset Review

I am deeply grateful to Joseph Levens, editor of the Summerset Review, for reviewing my short story collection Lovers and Loners. Mr. Levens has published several of my stories over the years, and I continue to benefit from his kindness, guidance and wisdom. If you are not familiar with this fine journal, please take a look. “Founded in 2002, the Summerset Review is exclusively devoted to the review and publication of unsolicited fiction, nonfiction, and poetry.”

header_toc_all

What is a Writer Worth?

.
What if writers were paid for their effort instead of their product? Many skilled professions involve more labor than financial reward, but writers seem particularly short-changed. Inventions, fine pieces of art, these can still command appropriate prices. Authors cannot negotiate book sales, cannot hold out for the highest bidder. Not only are print editions on the wane, digital copies are continuing to lose value. Ninety-nine cents has become a common price tag, and authors are often compelled to promote their books by giving them away for free.

What are writers worth? What would be a fair wage? A landscaper friend of mine told me last week that he always charges by the hour, not the job, as unforeseen problems can cause delays. This makes sense, and I admire him for his business acumen, for insisting that he be treated fairly. SURVIVAL SKILLS and LOVERS AND LONERS, my short story collections, include stories that were written over several years, and some of these pieces took months to write. One of the stories actually started out as a novel that grew flabby; I wound up scrapping about forty thousand words. Untold hours went into the making of these two books. Even if authors earned minimum wages, most would be rich beyond measure. Writers would rule the world.

Hard labor, that’s what good writing is. A dedicated writer is a slave to herself. Unlike inventors, who achieve their goals by fixing failures, writers continue on faith, not knowing if their revisions are improvements. No one can help them. Sentences are paths, and writers must blunder down one after another, hoping they have made the right turns and will not wind up lost. The journey is loaded with trip hazards, and writers must avoid them all: the pitfalls of clichés, the slopes of sentimentality, the sloughs of despair, the dreaded stasis of writer’s block. If an author is lucky enough to arrive at her goal, to finish a story she is pleased with, she must then work to acquire readers. For authors, who are generally introverted, marketing is far more onerous than writing. It is not a labor of love, and there is no end to it.

Writing is a three-step process: seizing an idea, putting this idea into words, and then into the right words. Of course, the right words for one author may be, will be, the wrong words for another—there are any number of ways to write, and mediocre writing can result in stunning sales. Writers must work to please themselves, knowing their stories may never be appreciated or even read.

I will work on one sentence for hours if need be, shuffling the words around and around until they click into place. As I wrangle words, I often think of Raymond Carver, who considered himself not a minimalist but a “precisionist”—what an apt term to describe the love he brought to his craft. Carver knew he’d never achieve perfection, but he kept reaching for it anyway, struggling year after year to bring out his best.

You can’t put a price on a good book, but you can buy one for under a buck. Most writers will never produce the stunning book they envisioned, nor will they reap the monetary rewards they have earned. As readers, we can at least offer them one dividend: the courtesy of a review. Reviews posted on Amazon or Goodreads cost nothing and require scant effort. Just a couple sentences is all it takes to let a writer know her words have not vanished.

“Savages” in On The Premises

Issue-27-900-x-392

I am honored and delighted to have won second place in this contest for my story “Savages.”

On The Premises is an online fiction magazine founded in 2006 by Tarl Kudrick and Bethany Granger.

Stories published in On The Premises are winning entries in short story contests launched each December and June. Each contest challenges writers to produce a great story based on a broad premise supplied by the editors. Winning stories are published in each April and October.

I am grateful to editors Tarl and Bethany for this opportunity and distinction.

An Essay for Writers in The Artist Unleashed

My gratitude to editor Jessica Bell for sharing my essay, “Writing, Secretive Dogs and LGBT Literature” in the current issue of The Artist Unleashed, a provocative and inspiring blog for writers and readers. Jessica invites authors to share their creative ideas, and each Wednesday she posts them, providing the featured authors more visibility, while fostering encouragement and motivation. This is a great site on which to contribute your writing, questions and comments.

576483565

“Odds and Ends” in the Eunoia Review

I wish to thank Ian Chung, editor of Eunoia Review, for reprinting my story “Odds and Ends.” This story is set in the Midwest and concerns a woman running errands, unaware of what’s headed her way. If you enjoy surprises, I think you’ll like this piece.
Each day Ian brings us two pieces of writing in a pleasant user-friendly format. The tagline for Eunioa Review is “Beautiful Thinking,” a description reflected in the journal’s content. I admire this editor for his inexhaustible energy and his commitment to publishing stories and poems that matter.

eunoia-review