Many thanks to editor Alisa Golden for publishing “A Christmas Poem” in the new issue of Star 82 Review.
“Star 82 Review is an independent art and literature, online and print magazine that highlights words and images in gemlike forms. Each issue features flash fiction, creative nonfiction, erasure texts, narrative art, postcard lit and poetic storytelling featuring subtle humor, humility and humanity, the strange and the familiar, and hope.”
Write a letter to your younger self,
they urge: It’s cathartic.
Be kind, be supportive,
guide her gently toward better choices.
Fat chance she’d listen.
Pearls of wisdom, cautionary tales–she heard them all.
And what, precisely, to offer?
Don’t settle? Don’t worry? Stay out of the sun?
I wouldn’t listen to me either.
If I took another tack,
told her she was strong
and worthy, capable of anything,
she’d only shrug and look away.
Not for a minute would she have imagined
a soft landing in her sixties,
four-bed/two bath, a steadfast spouse.
In any case, who am I to interfere–
she got me this far, didn’t she?
Better to leave her hurtling
into plight and fervor and folly
so that she can show up here
and astonish me.
“See?” she would have said.
When the last breath
of the last Woolly Mammoth
rose into a leaden sky,
did the universe notice?
Was there a pause or ripple
across the reaches of space?
When a species is gone,
I think it leaves an imprint,
a ghost of itself
on the fabric of time,
keeping the record honest
and the world from flying apart.
Many thanks to editor Corey Cook for publishing my poem “Terminal Lucidity” in today’s issue of Red Eft Review. Red Eft Review is an online journal dedicated to featuring accessible poetry for a universal audience.
Bonded to a boulder,
living on air and random rain,
a forty-year-old lichen
claims a thumbprint of space.
Centuries from now it will be
the size of a dinner plate,
will still be young
when the millennium turns–
not that age applies
to a thing designed to override death.
Maybe this doesn’t sound
like much of a life:
stuck on stone, nothing to do
but make more crust.
Or maybe it’s a thrill a minute,
living up to all that potential.
I would like to find out,
to lie on a sun-warmed rock
and give myself up,
to become with steady assurance
all I was ever meant to be.
Surging dolphins.
Ospreys carrying dinner.
Fried shrimp picnics on the banks of a bayou.
Box turtles crossing the yard.
Tree frogs on the window pane.
Corn snakes in the squash.
The size of grasshoppers.
How tall my basil grows.
The end of summer.
And the Make America Green Again
bumper sticker I saw yesterday
on a car whose driver I’d pay to meet.
Her eyes are clouding with age,
and when she peers at my face,
I see confusion in hers:
How do I appear to her now?
All I can do is lean forward
and kiss that small patch of white
just above and between her eyes,
the star she was given by a god
who foretold this moment.
She bows her head slightly,
allowing my reverence,
knowing her worth
all at once.
Many thanks to editor Corey Cook for publishing “What Is Wild” in Red Eft Review. Several of my poems have been featured in previous issues of Red Eft Review, and I am grateful and honored to be part of his fine journal once again.
I wish to thank D. Ellis Phelps, editor of the new anthology Purifying Wind, “an anthology of poetry to honor the vulture, many species of which are declining or in danger. Book represents the work of forty-three poets from six countries, many of whom are prize winning and Pushcart nominees. Poems enter the realm of many subjects including wonder, desire, love, aging, memoir, death and birth, and the natural world, to name a few. ”
I am delighted to have my poem “The Natural Order” included in this inspiring collection. Here is a video of me reading the poem. You may watch others authors reading their work on the Purifying Wind page on Amazon.
Hello again. Time to post a few more pictures. These are all done in acrylics and on natural wood, mainly pine. You can check out our Etsy site to learn more. Art is how we how we come together, and how, in these strange times, we heal.
Jean Ryan 